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The 
Selected Writings


Gagosian Quarterly

Age of Content

Amit Noy conducts a close study of the latest piece from Marseille-based dance collective (LA)HORDE.
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Artforum

Joshua Serafin: On Entering the Void

Amit Noy speaks with Joshua Serafin on the occasion of their US Debut at AMANT Arts.
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BOMB Magazine

Flesh Sculptures and Choreographies of Intimacy 

In conversation with choreographer Faye Driscoll.
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The Brooklyn Rail

In Conversation: Ligia Lewis
 
Amit Noy speaks with Ligia Lewis on the occasion of her first solo exhibition, ‘study now steady’.
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I was walking down the street and I saw a sensation
In ‘Family Happiness’, Juliana F. May combines formal perversity and Odyssean melodies.
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Touch the Beating Heart: On Boris Charmatz’s Liberté Cathédrale

In a Brutalist cathedral in the Rhineland, Boris Charmatz premieres his first work as director of Tanztheater Wuppertal Pina Bausch.

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Contemporary HUM

The Octopus Against A Sharp White Background

On the complexities of Indigenous contemporaneity in Atamira Dance Company’s Te Wheke.  
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The Pantograph Punch

What do you do with the mad that you feel? On BodyCartography Project’s Resisting Extinction

The BodyCartography Project discusses  their performance Resisting Extinction: a collection of ecosomatic practices for living and dying in Te Whanganui-a-Tara’s Central Park.
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History is Not a Dead Thing 

On whiteness, choreography, and the archive in Arthur Jafa’s Love is the Message, the Message is Death and Lisa Reihana’s in Pursuit of Venus [infected]. 
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ISLAND Magazine

Nathan Joe: Using Language in Good Faith 

An interview with Nathan Joe—poet, playwright, and  newly inaugarated creative director of Auckland Pride.
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Photo by Amit Noy